the dead tree the dry stone I knew nothing, 2023

earthenware

 

 

My great grandfather owned large parts of the nearby suburb of Lidcombe. He was known as an eccentric tyrant and had around 20 children, most of whom have left the area. This pot acknowledges the presence of my ancestors in the cemetery as well as drawing upon an unusual photograph of my family members standing around decorated carcasses of meat in the back of their Lidcombe butcher shop, a shop that is still extant.

Glenn Barkley is represented by Sullivan+Strumpf.


About the Artist

 

Glenn Barkley has Irish ancestry, he lives on Gadigal Land in Sydney, NSW.

@glennbarkley

www.sullivanstrumpf.com/artists/glenn-barkley/

Photo credit: Ainslie.Co Photography

 


 

Transcription

My name is Glenn Barkley, my work is entitled The Dead Tree, The Dry Stone, I Knew Nothing. The text comes from ‘The Waste Land’ by T.S. Eliot; it is a poem I have always admired, as it tells the story of disasters that befell humankind in the 20th century. When I first came to Rookwood, I referenced that work; it was an extremely hot day and wondering around the site reminded me of ‘The Dry Stone.’

I am an artist who is very much interested in monuments and decorative arts; I am curious about how they play out in the cemetery itself. I have been looking at the statuary and ceramics that occur on site; especially a type called Immortelle. Which are ceramic flowers you see dotted close to my work.

The work also references my local connections, my great grandfather owned large parts of Lidcombe; in the shopping center there is a building still called Barkley’s. He is buried here, as is my grandfather; I am curious about those family members, sometimes they feel so alien to us. We don’t know about the emotional lives; we might hear about the family mythology, but we don’t know how they felt.

When I saw those words by T.S. Eliot ‘I Knew Nothing’ that’s how we feel sometimes about the past; our vision is obscured. History is real, it’s staring us in the face; coupled with the beauty of the site, its expansion and the way it covers such a wide range of ground. Also, how it encapsulates his design and ornamentation.

When I do my work, I hold all those things in my head; I am also inspired by relative's own makings, my grandfather was a carver, an armature carver. His uncles and aunties engaged in a folk form I have never seen before; decorating meat carcasses, they were butchers at Lidcombe. So, having drawn on that iconography, it has been a pleasure and a challenge to make this work.

As it is upscale of what I do, thanks to moving into a new studio in the last 4 months and having the ability to do that; it is a great opportunity to try something a little bit monumental.